jack of all trades,
master of some
background
education
what I do
values & intentions
personal layer
contact
Born in Paris on March 27th, 2000, I’ve always been a creative spirit — a maker, an artist.
My curiosity has always been closely tied to my surroundings, sensitive to textures, moods, and the objects around me.
I believe that’s where my strength lies: I am simply the evolution of who I’ve always been.
The same passions, the same way of thinking and creating — only grown through experience.
That’s what allows me to stay genuine. Everything I do comes from a place that’s real.
After graduating from high school with a specialization in science, I had a choice to make: art school or engineering. I chose the safer path and enrolled in engineering — and I have no regrets. It gave me structure, method, and perspective.
But above all, it taught me how to learn — whether I was in familiar territory or completely out of my depth. That ability to stay curious, ask the right questions, and build understanding from the ground up has shaped the way I approach everything today.
I graduated last year from ECE Paris with a master’s degree in Product Engineering & Innovation, closing the academic chapter — and opening the one where I get to fully apply, explore, and evolve.
I move across disciplines — but my approach stays consistent.
Curious, hands-on, and driven by meaning, I create at the intersection of engineering, design, and art.
It all started with drawing, ever since I could hold a pencil. I’ve always loved observing, analyzing, and trying to get as close as possible to what I wanted to replicate — or invent.
From 2D sketches, I naturally moved into 3D through model making. At 13, I bought my first Dremel, and it opened the door to bigger builds.
At 15, after going through some health issues, I found refuge in woodworking — it became a form of therapy. Since then, my workbench has followed me everywhere, filled with tools I’ve collected over the years, whether in a bedroom corner or right in the middle of my living room.
It usually surprises people when they visit.
Over time, I’ve worked with wood, metal, leather, plastic, and fabric — sometimes all in the same week.
From my computer, I’ve designed everything from brand identities to logos, garments, storefronts, and even a race car. I know what I like, I know where to look for inspiration, and I know how to bring it to life — that’s what gives my work value.
I’ve explored all the worlds I’m passionate about: fashion, music, design, furniture, cars.
I can’t say I’m always proud of everything I’ve made — but I’ve made a lot. And that’s what keeps me going.
I care about things that feel real.
I’m not interested in trends for the sake of being seen — I value depth, authenticity, and craft.
I’m a passionate person, in everything I do.
When I’m in, I’m all in — whether it’s work, love, friendship, or art. I don’t know how to do things halfway. I give myself fully to the process, the people, the purpose.
Everything I create needs to carry meaning. Whether it’s a logo, a piece of clothing, a physical object, or a story told through form and material — I want it to connect.
Process matters to me. The rhythm behind the outcome. The time spent testing, refining, failing, and trying again.
I believe in being intentional — not perfect. In being honest — not polished.
I respect people who work with their hands. I value tools, raw materials, and the quiet knowledge that comes from doing.
And more than anything, I believe that curiosity and humility will take you further than any trend or title ever could.
I collect vinyls, Hot Wheels, clothes, sneakers. I shoot film.
I get obsessed with materials, tools, textures, sounds.
I like objects with a story — just like I do with people. Worn leather, scratched metal, imperfect wood. Things that age well. Things that hold time. Things that tell you something without speaking.
I’m deeply influenced by music, cinema, craftsmanship, and the quiet poetry of everyday life.
Some of my best ideas come when I’m biking, driving, crying, walking, digging through crates in record shops, or just working in silence at my bench.
I don’t separate life and creation — they constantly feed off each other.
What I do is simply an extension of who I am.
How you do anything is how you do everything.
There you go